Feminist Jazz Review: Stephanie Richards – Take The Neon Lights
New York-based composer and trumpet/flugelhorn extraordinaire, Stephanie Richards returns with a follow up album to her stunningly sparse, cyclically inspired (as Richards’ instruments were set up in a semi circle during recording sessions) 2018 album, Full Moon (Relative Pitch). The new collection of compositions is entitled Take the Neon Lights (Birdwatcher). A glaring difference between Full