Album Reviews

Variable Bets (2014)

Tomas Fujiwara Trio Relative Pitch (CD) Released December 2, 2014; recorded live by Jonathan Goldberger at Barbes, Brooklyn, September 11, 2013; mixed by Goldberger; mastered by Nate Wood at Kerseboom Mastering; produced by Tomas Fujiwara; artwork by Tetsuo Hasegawa; photography by Peter Gannushkin; art design & layout by Spl@T!; executive production by Kevin Reilly and

Seven Storey Mountain III And IV (2014)

Nate Wooley’s Seven Storey Mountain Pleasure of the Text (CD) This record is one of the true masterpieces of the new millennium. It contains two CDs, both recorded live at Issue Project Room (Brooklyn), the first on March 11, 2011, and the second on June 6, 2013. Led by the visionary trumpet player, Nate Wooley,

Gordion Twine (2015)

Chris Pitsiokos Trio New Atlantis (CD/DL) Recorded by WKCR-FM, Brooklyn, NY; engineered by Gabe Ibagon, Oct 2, 2014; mixed by Chris Pitsiokos; mastered by Weasel Walter. Personnel: Chris Pitsiokos (alto saxophone, composition) Max Johnson (bass) Kevin Shea (percussion) Track Listing: Prologue Lethe Clotho Lachesis Atropos Dissolution Epilogue Gordion Twine is a superb record featuring three

Barker Trio (2015)

Barker Trio Phantom Ear Music (CD) Personnel Andrew Barker (drums, compositions) Michael Foster (tenor & soprano saxophones) Tim Dahl (bass) Track Listing You Are a Real _____ Scarface Pajamas Failed States A Teeming Portal Inner Vortex New Wolves, Old Bones Invalid Request Review Barker Trio’s gripping yet subtle self-titled debut record is one of the

Pulverize The Sound (2015)

Relative Pitch (CD) Personnel Peter Evans (trumpet) Tim Dahl (bass) Mike Pride (drums) Art is not entirely beautiful. Its ability to shape transcendent experience into material reality is often attached to aesthetic pleasure or “meaning,” but that isn’t to say such an angle requires consonance. Indeed, a large swath of art relies on confrontation, bewilderment

Craig Taborn At The Stone, January 2016

Craig Taborn played six nights at the Stone this past week in a highly anticipated residency. Taborn, who is widely regarded as one of the most talented and innovative piano players since he emerged in the mid-1990s, put on a broad range of fascinating performances. Each night featured different bands and he drew from his

The Caustic Ballads (2016)

Relative Pitch Records (CD) Released February 19, 2016. Recorded by Atticus Pomerantz. Mixed and Mastered by Jim Clouse. Photography by Bayley Sweitzer. Executive production by Kevin Reilly & Mike Panico. Personnel: Leila Bordreuil (cello) Michael Foster (saxophones) Track List: Born of Its Own Asphyxiation Pleasure and Cruelty Intimate Shrinkage of My Body and the Castration

Sandra Weiss Quintet At 65FEN, April 18, 2016

I have never heard “environmental improvisation” used as a term, but it seems fitting to describe the music of the Sandra Weiss Quintet that I experienced at the 65Fen Series at Delroy’s Cafe and Wine Bar last night. The band is led by the Swiss reeds player (bassoon and alto saxophone) and is comprised of

R Train On The D Line (2016) By Brian Groder Trio

Brian Groder Trio Latham Records (CD) New York-based trumpeter/flugelhornist and composer Brian Groder is still relatively little-known, though he’s been a fixture in East Coast jazz communities since the 1980s. He made something of a splash on the creative music scene several years ago in collaborative recordings with pianist Burton Greene and reedist Sam Rivers,

Hommage À Bartok (2016) By Steve Swell’s Kende Dreams

Steve Swell’s Kende Dreams Silkheart (CD) When engaging the work of someone who looms as large as the Hungarian composer Béla Bartók, a number of paths may emerge. One could take on the fact that his research into the musics of Hungary, Romania, and other regional ethnographies presaged the bending of space and tonality by