From drummer and composer Tim Daisy: When the lockdown began in March of 2020, my initial reaction was to take a pause from music and just “wait it out” for a couple of months. When it became clear that COVID-19 was a virus that wasn’t going to go anywhere, I began to strategize on how
From saxophonist and composer Dave Rempis: At the onset of the COVID pandemic in the US in winter 2020, I was on tour. First in Europe for 10 days with Michael Zerang’s Blue Lights, ending with a performance with Michael and Elisabeth Harnik at the ArtActs Festival in Austria on March 6. I then flew
From saxophonist and composer Angela Morris: I’ve spent my pandemic time composing, blobbing, putting on shows for my series Brackish, recovering from two broken bones, teaching over zoom and in schools, protesting, and occasionally performing. Mostly trying to keep the emotional boat afloat! In April 2020, Anna Webber and I released our big band’s debut
From bassist and composer Nick Dunston: Somehow, I am fortunate enough to be currently on a plane to another country for a mini vacation with my partner. To be honest, the end/start of the calendar year has never felt particularly conclusive nor refreshing for me, but any opportunity to sit down with my thoughts, reflect,
I had the opportunity to talk with drummer Colin Hinton over the past six months about his music, training, and perspective as an artist. Cisco Bradley: You are about to release a collaborative trio record with Rema Hasumi and Shawn Lovato. How did that band come together? What concepts and ideas are you collaborating on?
From Andrew Lamb: In order to begin speaking about my project, I must give thanks and praise to The Most High for allowing me to be present in this dimension. I have lost several of my colleagues and those which I have known and interacted with from the inception of the pandemic and literally every
Jessica Pavone’s creative practice encompasses developing a personalized voice on her instrument as both an instrumentalist and composer. She has been focusing primarily on two projects recently. Lull Pavone’s new work, “Lull,” is a composition for string octet and soloists in four movements. Recorded during the pandemic year of 2020, the piece reflects a multifaceted
Review written by guest writer John Pietaro: Within the pantheon of new music that was birthed through jazz in particular, the political content has been brazenly, pridefully Left. Sounds of protest easily predate the artform as we know it, indeed slave poetry, field hollers, and the roots of the blues were foremost the folk art
Over the past few months I had the opportunity to talk with bassist and composer Nick Dunston about his work. As one of a new generation of players on the New York scene (and beyond), he has had a confident, growing presence. Cisco Bradley: What are your current projects? Nick Dunston: A few things! Referring
I recently had the opportunity to talk with saxophonist Sarah Hughes. Having released her second record as a leader, The Drag, in late 2019, she continues to experiment and explore new areas of her sound. This interview focuses on her creative process, her approach to experimentation, and where Ms. Hughes intends to go next. Cisco
