Cisco Bradley

Artist Feature: Violinist/Poet Sarah Bernstein

In January, I had the opportunity to ask Sarah Bernstein (violin, electronics, poetry, composer) about her new record, Crazy Lights Shining, released in 2018 on the Phase Frame Music label. Bernstein is a singular player on the New York scene, with more than two decades of work, numerous records, and a number of key projects

Playlist for the Week of February 18, 2019

Wadada Leo Smith & Sabu Toyozumi – Burning Meditation (NoBusiness, 2018) Jessica Pavone – Silent Spills (Relative Pitch, 2016) Paco Casanova, Dylan Fujioka, Patrick Shiroishi – Kage Cometa (FMR Records, 2018) Miles Davis – ‘Round about Midnight (Columbia, 1955) Clifford Brown and Max Roach – Study in Brown (EmArcy, 1955)

Review: Anna Webber Solo at Spectrum, Jan 4, 2019

As the second set at Spectrum on January 4 (following the trio of Kate Gentile, Brandon Seabrook, and Matt Mitchell that I reviewed yesterday), tenor saxophonist Anna Webber played “five short pieces.” In the course of her set, she demonstrated the many different forms her music can take. The first piece opened with high-pitched repetition

Playlist for the Week of February 11, 2019

Mattin – Songbook #7 (Munster, 2019) [vinyl] Cecil Taylor – In Florescence (A&M, 1990) [vinyl] Ingrid Laubrock – Contemporary Chaos Practices (Intakt, 2018) William Parker Clarinet Trio – Bob’s Pink Cadillac (Eremite, 2001) William Parker – For Those Who Are, Still (AUM Fidelity, 2015) Liudas Mokunas – Hydro 2 (NoBusiness, 2018) Michael Foster, Katherine Young, Michael Zerang – Bind the Hand(s) that

Review: Kate Gentile, Brandon Seabrook, and Matt Mitchell, Live at Spectrum, Jan 4, 2019

Three idiosyncratic players, drummer Kate Gentile, guitarist and banjoist Brandon Seabrook, and pianist Matt Mitchell came together at Spectrum for an interesting set of music. All three musicians are composers and each contributed pieces to this collective unit. The ways that the three fit together in different ways throughout the night was the driving narrative

New Experience Series at Hart Bar: Feb 21

The New Experience is a music series at Hart Bar in Bushwick, Brooklyn. It’s aimed at giving audience members something each night that they have not experienced before. It features a variety of experimental and improvised music as well as edgy or avant-rock, hip hop, or punk, as well as video projections and a DJ

Last Night at Cornelia: Tom Rainey Trio, Dec 30, 2018

Anyone who frequented Cornelia Street Cafe in recent years is aware of the tradition that arose with the Tom Rainey Trio playing the second to last night of the year. For each of the last eight years, an eager crowd gathered to hear one of New York’s most cutting-edge bands. Drummer and composer Tom Rainey has

Review: Lotte Anker, Craig Taborn, and Gerald Cleaver at Rehearsal Studios, Dec 19, 2018

Danish saxophonist Lotte Anker’s tour through New York in December was one of the highlights of the year and was the crescendo to four performances that she did, each with a different band, over the course of ten days. Her unique approach to her instrument pairs perfectly with the equally exploratory American pianist Craig Taborn

Interview: Bassist Adam Hopkins

Bassist Adam Hopkins moved to New York in 2011 and played extensively as a sideperson in a range of innovative projects. In 2018, he launched his own label, Out of Your Head Records, while simultaneously releasing his debut record as a leader, Crickets. I had a chance to speak with Mr. Hopkins in January about

Review: Nate Wooley’s Battle Pieces IV Live at Roulette, Dec 3, 2018

Nate Wooley is one of the most thoughtful and interesting musicians working in New York. Battle Pieces makes daring new explorations into song structure, reinventing the relationships between members of an ensemble in a way that retains an alert sharpness during every live performance. Since the band formed for Anthony Braxton’s Tri-Centric Music Festival in 2014,